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Slanted mid 1940's Gibson Logo. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. This is a high-quality instrument. Design your own Huber Banjo. Only about a dozen were made. I'm thinking it was made by the Iida folks for a NAMM show or something. In mid 1944 bookmatched two piece Sispruce tops reappear. The 5th string on a banjo lies within easy reach of the right-hand . 1940: #1 or #001 to 1965: approximately #84xxx. The grade of top wood was tighter grained. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. 541 Concert: rosewood back & sides with colored wood appointments. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. Gold War era logo - This type is called "Banner logo". Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. It became the working mans choice and one of the most enduring instrument designs in history. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. Manchester University, All Forums In 1987, after the Gretsch family had re-acquired their name, re-introduced the B&D Silver Bell but the market didnt seem to care. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. Its difficult to positively 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). Ironically, after almost 40 years of making some of the worlds finest banjos, the Bacon and Day banjos were the first to carry David L. Days name. Like everything else connected to instrument identification issues there are many exceptions. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. Size 3 Gurian, either acoustic or amplified. Depending on the selected source, there is disagreement about these numbers. Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce Between 1934 and 1938, Gibson only offered the sunburst finish. For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. The new design was thinner and much easier to handle and play. Gold-plated tuning gears, LOTS of abalone inlay. A total of 2,477 J-35s were made according to Gibson records. Identify vintage banjo fleur de lis inlays on headstock & carved heel. When it came out in 1942 it was the most expensive Gibson flat-top in the line. mikehalloran - Posted-12/27/2013: 17:21:06. $ 5,719.00 $ 5,149.00. purchase these instruments and put their own names on them, but in many other Nice playability, great tone, strong low end and good sustain all the way up the neck. 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. A flourish inlay under The Gibson in the headstock. LoPrinzi Guitars most from Plainsboro New Jersey. It appears that they experimented right up to the point of discontinuing the line. Jun 24, 2020 - The Art of Banjo Headstocks. The banjo's fingerboard is where the magic happens. Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. Art Studios. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. These appear to have a unique serial number scheme. Gibson changed the name again in the 1950s to the SJ-200. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. They had owner applied pick guards and multi-bound backs and tops (including red line highlights). This is a "fit-all" banjo case. That being said, and allowing for the large numbers of prototypes and other Gibson anomalies, the following can be used s a guide to help get close to a proper model identification and its year of production. Dark stained plain birch back and sides. Presentation banjos often turned up at NAMMand other shows. That way I'll be sure to hear it, since I will get a heads up when you post. The fingerboard was rosewood with 9 inlaid position markers. I doubt you'll find this in a catalog. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made Collector's Corner ARIA 921C. The instruments had modified fan bracing and asymmetrical bridges. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. CUSTOMER SERVICE. Some banjo . Semi-hollow guitar serial numbers are found inside the 'top' F-hole on a label. Acoustic Guitars. First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. To most people all banjos look (and sound) the same. Where no serial numbers are shown they simply are not known. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. >I see no collectors market for banjos like yours.<. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. They were popular with the Cowboy Singing Stars like Bob Baker (National Barn Dance WLS). The headstock shape is very similar and it has the hexnut . Like all other companies, there are exceptions. Saga Bella Voce 70/80. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. I would sure like to hear what it sounds like. It was the heart of the depression and the instruments cost $60 without a case. The only available finish was sunburst until 1954. Thanks for the history, I always love the story. These appear to be the easiest to find and quite reasonable to buy. The hardshell case had a green or red silk lining. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. The somewhat radical headstock shape was discontinued at Gibson with the Mark Series but appears to have been an influence on the young Paul Reed Smith who later used a similar shape for his electric instruments. Introduced 1967, Basically an more economical LG-0. the bins that were used to move instruments from . Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). Larrivee Serial Numbers (approximate). Style Designations (There are many exceptions to the following). The sides and back were tinted mahogany with a sunburst red spruce top. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. The Gibson stamped on tailpiece cover and inlaid in headstock. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. It is not clear how Gibson decided to set their nut widths and neck thicknesses. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. The headstock carried an inlayed script Gibson. Starting in 1977, Gibson adopted the current date-based serial system which codes for the year and day of production. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. Headstocks of US models also use the Gibson headstock shape. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. The last 4 digits are a neck number. It would surprise me if there were 12 of those made as K banjos, however. Grupo Musical. The financial strain became too much and the company sold in 1940 to Gretsch. I like it. David L. Day was in his 70s. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. Scott Zimmerman may be able to shed some light on this. Buy in monthly payments with Affirm on orders over $50. By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. See Martin Serial Numbers for a dating information. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands. It took Gibson 2 years to develop their response: The Jumbo of 1934. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production. Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. 30, 1909. The swing distance is important because it dictates how large a turned piece can be on that particular lathe. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. During the war years women played a greater role in manufacturing while young men were fighting overseas. The 1975 price was $659. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. 1959: Larger crown frets and the adjustable bridge. So, take a look and . Other Banjo-Related Topics Lyon & Healy routinely used talon or patent 1897 If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! Check out our banjo decal selection for the very best in unique or custom, handmade pieces from our bumper stickers shops. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. Gretsch was contracted to make banjos for them. There were 431 made. Serial Numbers. The original price in 1942 was $45. There's a small snag in the outer pocket webbing - otherwise it's like new. The tuners were individual. The Gibson stamped on tailpiece cover. Kay company banjos were normally not that high-quality but this one is different. The LG-Series is 2 narrower than the J-Series. In some cases there are no pickguards. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. How to customize a Huber Banjo; . Gibson had changed its neck profiles and headstock shape on the successful J-Series. The current bridge height and neck angle was reached around 1910. B. Schall (1878-1907) manufactured many unmarked banjos for Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. They did not imprint the instruments with any particular brand. banjos. The following versions evolved quickly to 14 frets clear of the body. If you would like to use content from this page, see our Terms of Usage policy. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. In 1935, binding was added to the fretboard. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . Ss. Ebony Fretboards were generally thicker than other builders. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. The current bridge height and neck angle was reached around 1910. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their Go back. No binding, no inlay and no decoration. A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. 1976 $929 In June of 1976 the price rose to $999, and two new finishes were added: tobacco sunburst and natural maple. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The designations were. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. serial number impressed to verso, 60 cm long MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. They could be strung with steel or nylon strings. Gibson Banjos 1925 and Later: . $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. The soundhole size coincided with the overall size of the instrument. The hurricane of September 1938 destroyed the companys ability to manufacture anything. Our 19th Year * Sign Up Now A head on a long neck open back banjo might sound completely different on a 12-string banjo. Yuletide. In any event, these should be used only as a guide and not assumed to be absolutely correct. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. For example: B&D had several un-numbered models between 1913 and 1920. This information is approximate and has not been verified by the LoPrinzi family. MB -- mandolin banjo. Sha-Sw. T-V. W-Y. They are maintained by Donna LoPrinzi in Clearwater Florida. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. 2. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. It marked the beginning of a new era for Gibson. I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. New Location: Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. CONTACT US; Headstock Shape. I wouldn't be surprised if a few exist with other brand names. The necks and heels were rounder. Most were 3-piece solid maple bodies. George Youngblood of Youngbloods Music Workshop. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. The early models had shallow neck sets that increased in angle around 1908. teachers who sold them to students, some of which are tagged with the name of A Style mandolins were symmetrical and shaped like a teardrop. Thinner cog gears with no bevel on the edge of the cogs. The sunburst finish was generally $30 less than natural finish. STONE BANJO CO - PEGHEAD SHAPES. Gibson had helped in the war effort and seen many employees enlist. Weekly newsletter includes free lessons, favorite member content, banjo news and more. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. The decade following saw a change in finish from varnish to shinier lacquer. Body designation Style designation, Serial number. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. The Aria 921C was a good quality 5-string banjo made in the early 1970s. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Since Spruce was needed for the war-time effort, some J-45s in 1943 have a mahogany top. Made in USA. Cherry Sunburst is still available. 14" resonator on the banjo examined is probably non original (Korean). Silkscreen logos - Low end models. "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. Gibson started making banjos in 1917. Jul 15, 2021 - A study of banjo head peg heads. MK-35-12 models were only made in 1977. The tuners were individual Kluson with amber buttons. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). CLM, Classical guitar with mahogany back and sides. It took Gibson 2 years to develop their response: The Jumbo of 1934. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. It was the heart of the depression and the instruments cost $60 without a case. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. For photographic examples of the Gibson Cf-100 and CF-100E Click Here. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. The strings are tightly wound at the headstock so the banjo player can form cords along the fingerboard. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. On rare occasions, some dates can be found on . 3 special model, serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Also, the first batch of J-45s had more binding both on the body and soundhole. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. themselves through common hardware and design characteristics. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. Why not post a little tune with it. Sounds great and the instrument is very easy to play. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. Hard-case rugged and gig-bag light! It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). The following are a rough guide. In some cases, teachers would The rosettes were simple white-black-white. The pot fairly screams Iida to me. If you want to use any of this information: It was available with a Snakehead and had a shaped fingerboard extension. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Use them in commercial designs under lifetime, perpetual & worldwide rights. Prices were typically 30-40% more than other Gibson solid bodies; the Les Paul Recording, LP Custom and SG Custom. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). beautiful banjo. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. The birch sides and back were stained red. DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. The soundhole binding does not extend the full depth of the soundhole. (Folk Jumbo Natural and Folk-25). in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, They were the J-45 and the Southerner Jumbo. The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. No serial numbers etc. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) If the serial number is legible the instrument can be relatively easy to date. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. The top and back bindings were black plastic. thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. These can exist on any model numbers including the A-jr. Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. The soundboard was so large and the body so deep that the sound was immense. Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. better-grade offerings frequently had notched, rather than grooved stretcher Frets refers to the number of frets that are clear of the body. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. There is a Kay company logo on the headstock but absolutely no other identifying marks. It was reintroduced in limited editions in 1991. Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. Gibson believed that these choices would allow them to focus on their more profitable lines. Heads have different effects on different kinds of banjos. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. Bodies: Rosewood, oak, mahogany, koa and maple. . Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. Some early necks were cherry before 1912. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . When I look at the rim, tone ring, tube and plate, and tailpiece they look like the same ones on my Ibanez 591. Materials and methods of production were reviewed and revised. The banner only a Gibson is good enough logo is replaced with the old style Gibson script gold logo, The blond J-50 is introduced (limited until 1954), Bracing system changed: non-scalloped, low cut braces, Larger pickguard with point at upper bout, Headstock appointments: pearl logo inlay and crown added, Adjustable bridge saddle offered as an option called J-45ADJ.